Teoriopoznawcze i metodologiczne podstawy filozofii sztuki Hipolita Taine’a
Abstract
Author: Werner Maria
TITLE: EPISTEMOLOGICAL AND METHODOLOGICAL GROUNDS OF HIPPOLYTE TAINE’S THEORY OF ART (Teoriopoznawcze i metodologiczne podstawy filozofii sztuki Hipolita Taine’a)
Source: Filo-Sofija
year: 2006, vol:.6, number: 2006/1, pages: 223-237
Keywords: TAINE, THEORY OF ART, METHODOLOGY, POSITIVIST PHILOSOPHERS
Discipline: PHILOSOPHY
Language: POLISH
Document type: ARTICLE
Publication order reference (Primary author’s office address):
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Abstract Taine postulates that the status of the humanities should be equal with that of the sciences. The claim is based on a conviction, shared by other positivist philosophers, that both kinds of knowledge should share the same methodology. Thus, all knowledge turns out to be a collection of facts and relations among them. The facts are subordinate to some major facts being their “causes” or “principal features”. The task of a work of art is to extract such facts. The emergence of the characteristic feature of a phenomenon allows us to describe a work as a perfect one. The value of the work depends on the kind of a characteristic feature, being more or less universal.
TITLE: EPISTEMOLOGICAL AND METHODOLOGICAL GROUNDS OF HIPPOLYTE TAINE’S THEORY OF ART (Teoriopoznawcze i metodologiczne podstawy filozofii sztuki Hipolita Taine’a)
Source: Filo-Sofija
year: 2006, vol:.6, number: 2006/1, pages: 223-237
Keywords: TAINE, THEORY OF ART, METHODOLOGY, POSITIVIST PHILOSOPHERS
Discipline: PHILOSOPHY
Language: POLISH
Document type: ARTICLE
Publication order reference (Primary author’s office address):
E-mail:
Abstract Taine postulates that the status of the humanities should be equal with that of the sciences. The claim is based on a conviction, shared by other positivist philosophers, that both kinds of knowledge should share the same methodology. Thus, all knowledge turns out to be a collection of facts and relations among them. The facts are subordinate to some major facts being their “causes” or “principal features”. The task of a work of art is to extract such facts. The emergence of the characteristic feature of a phenomenon allows us to describe a work as a perfect one. The value of the work depends on the kind of a characteristic feature, being more or less universal.
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