Estetyzacja polityki w ujęciu Hannah Arendt
Abstract
Author: Moskalewicz Marcin Title: AESTHETIZATION OF POLITICS ACCORDING TO HANNAH ARENDT (Estetyzacja polityki w ujęciu Hannah Arendt) Source: Filo-Sofija year: 2005, vol:.5, number: 2005/1, pages: 203-220 Keywords: ARENDT, AESTHETIZATION OF POLITICS, CRITIQUE OF JUDGMENT Discipline: PHILOSOPHY Language: POLISH Document type: ARTICLE Publication order reference (Primary author’s office address):
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Abstract The article reflects on the problem of aesthetization of politics in Hannah Arendt’s work. It starts with the reconstruction of Arendt’s concept of the human condition, with the intention of placing the political within it. Then, by exploring the theatrical metaphor of political life the author attempts to show in what sense can we say that the political and the aesthetical intertwine in Arendt’s thought. The author also discusses the reproach of the aesthetization of politics and its link to fascism, arguing that paying a closer attention to the distinction between creative and performative arts may help to avoid it. In conclusion, Arendt’s reading of Kant’s Critique of Judgment serves as a basis for a more sympathetic interpretation of her aesthetization of politics, in which the gap between the moral and the aesthetical is reduced.
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Abstract The article reflects on the problem of aesthetization of politics in Hannah Arendt’s work. It starts with the reconstruction of Arendt’s concept of the human condition, with the intention of placing the political within it. Then, by exploring the theatrical metaphor of political life the author attempts to show in what sense can we say that the political and the aesthetical intertwine in Arendt’s thought. The author also discusses the reproach of the aesthetization of politics and its link to fascism, arguing that paying a closer attention to the distinction between creative and performative arts may help to avoid it. In conclusion, Arendt’s reading of Kant’s Critique of Judgment serves as a basis for a more sympathetic interpretation of her aesthetization of politics, in which the gap between the moral and the aesthetical is reduced.
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